Wednesday, March 24, 2010

The Reason I am Singing Opera Today

by Maria Lindsey

When we get to the part of introducing ourselves in our "Voices in Residence" program for the schools/community members of Nebraska and Iowa we always say the same bits of information about ourselves. Since we started our performances for the community I have said the same thing... "Hi, My name is Maria Lindsey, I'm the Soprano of the group. I am from Fort Collins, Colorado and I received my undergraduate degree at BYU-Idaho, and am currently working towards my master's degree from the University of Colorado at Boulder. When I was in high school you never would have told me I would end up singing opera!" I hope that by sharing that last bit of information about myself with people who are new to opera I can help them realize that everyone is new to something at some point in their life and the first step is giving it a chance. Finding opera and having the chance to be a part of it, even in a small way every day, is something that I hope I never take for granted! I am so happy that I have the chance to bring the message of opera to people everyday in many different ways and in many different communities around Omaha.
One woman made a comment after one of our programs and said she was so excited that young people were taking the message of opera around to the schools. She said something to the effect of "participating in a live-performance art form is such a magical experience because there is a unique exchange of energy and emotion that takes place between singer and audience member that only happens in that moment". This woman felt like youth today are missing out on this experience the more technology develops and that it is wonderful to perform at schools and teach them about an art form that they can participate in and enjoy, live, today. This woman really moved me and as hard as it is moving around the country and being away from loved ones to participate in whatever singing job comes next, I quickly remember that I am singing opera and that I have the chance to teach others about it too!
Disclaimer... I know I am still fairly new at this and that I have many years ahead of me that will include disappointment as well as success, I hope that I never lose track of why this art form is something I decided to dedicate my life to in the first place. As we bring the passionate, dramatic, comedic, uplifting, and inspiring aspects of opera to the communities around us I hope I am able to give back part of the joy that is the reason I am singing opera today.

Besides touring Nebraska and Western Iowa with Opera Omaha's
Voices in Residence, a series of engaging, interactive, multi-media classroom performances created for students in middle school, high school or college, the performances provide a framework for experiencing the interaction of word s and music – the essence of opera, Maria Lindsey will appear in Opera Omaha's celebration of the great American musical So in Love with Broadway.

Maria Lindsey, soprano from Fort Collins, Colorado, received her BMA degree in Voice from Brigham Young University-Idaho and is currently working on her MM degree in Voice at the University of Colorado. For the BYU-Idaho opera, she sang Pamina in The Magic Flute and Yum Yum in The Mikado. She has participated in scenes from Roméo et Juliette, Rigoletto, and Die Fledermaus. Most recently she was Adina in the Loveland Opera Theatre’s The Elixir of Love, and Miss Wordsworth in Albert Herring with CU Opera. This summer Maria was an apprentice with the prestigious Santa Fe Opera where she covered Coryphèe in their production of Alceste, as well as sang Juliette from Roméo et Juliette in the Santa Fe Opera’s Apprentice Opera Scenes.

Tickets for So in Love with Broadway start at just $19.

Friday | April 16, 2010 | 7:30p
Sunday | April 18, 2010 | 2:00p

Click Here for Tickets

Wednesday, March 17, 2010

Opera in the 21st Century

by Jonathan Stinson

From time to time, 'Britain's Got Talent' and 'American Idol' allow an operatic vocalist to sing on their international telecast. Without exception, these operatic performances receive a standing ovation by the sixth note, continuing through the end of the aria. This standing ovation is largely comprised of high school and college students. So why do you think a young audience of teens and twenties would react so positively to a classical singer when they bought tickets hoping to hear the next pop star? Perhaps it's merely a fascination of the unknown. But why do audiences attend performances of any kind? In the end, 'American Idol' audiences are no different than opera audiences. They want to be moved, to be entertained, to connect to the music, to connect to the lyrics, to give their lives over to the performer for an evening of alternate reality.

When I watched Paul Potts' performance of "Nessun Dorma" on 'Britain's Got Talent' (and the standing ovation that erupted within the second phrase), two things came to my mind. First, good for him! Now there is evidence that he had a small operatic career in the past, but as a current mobile-phone salesman, he handled the aria beautifully. But the most important thing for me was that I knew from that day that the future of opera is going to be just fine. The audience LOVED his aria. They could not get over how impressive his performance was. And all this from a mobile-phone salesman. If that London audience was so impressed with Mr. Potts, maybe they should take the tube to Covent Garden and see what they've been missing. The young people of today love opera, just don't know it yet.

We of the Voices in Residence at Opera Omaha represent an extremely small sliver of what will become the future of opera. It is our job not to tell them why they should like opera, but that they already do. We have toured our 45-minute opera gala to several high schools, and the kids are universally amazed at how engaging the art form can be. In short, they leave our concert with a deep appreciation of what we do. If we can reach the youth of Nebraska in the way that Paul Potts reached the youth of England, opera in Nebraska has a very bright future. The youth of America have a hidden passion for opera, and it is our obligation and responsibility to help them discover it.

Jonathan Stinson is touring Nebraska and Western Iowa with Opera Omaha's Voices in Residence, a series of engaging, interactive, multi-media classroom performances created for students in middle school, high school or college, the performances provide a framework for experiencing the interaction of word s and music – the essence of opera. Mr. Stinson will also appear in Opera Omaha's celebration of the great American musical So in Love with Broadway.

Jonathan Stinson is enjoying a busy '09-'10 season as Slim in Of Mice and Men and Peter in Hansel and Gretel for Kentucky Opera, a return to Cedar Rapids Opera for the Nazarene in Salome, and as both Antonio in The Marriage of Figaro and as baritone soloist in the upcoming So In Love With Broadway concert for Opera Omaha.

Mr. Stinson's ’08-’09 season included appearances in La bohème with Lyric Opera of Kansas City, La traviata with Opera New Jersey and Lyric Opera of Kansas City, Rigoletto with Springfield Regional Opera, Cosi fan tutte with Cedar Rapids Opera, and The Marriage of Figaro for the Bay View Music Festival.

A Regional Finalist in the Metropolitan Opera National Council Auditions in 2006, Mr. Stinson is a graduate of Oberlin Conservatory and Indiana University.

Tickets for So in Love with Broadway start at just $19.

Friday | April 16, 2010 | 7:30p
Sunday | April 18, 2010 | 2:00p

Click Here for Tickets